What he should have pointed out is that the gardener lady was most likely the attacker. Hitchcock fades in and explains that the man went to jail. The man looks over at her then back straight ahead as police sirens are heard and the scene fades out. She then points to another guy in a grey suit with a suitcase and says "that's him". The man returns to Elsa in the vehicle and they pull off again. The car gets parked, the man follows the guy up to his hotel room and kills him with a wrench. Soon enough, Elsa points out a guy with a grey suit and a suitcase and says "that's him". He repeatedly asks her if anyone looks familiar. The man decides to take matters into his own hands and takes Elsa on a long drive. Having nothing else to go by, the investigation comes to a halt. When she comes to, she describes her attacker a man with a suitcase and a gray suit. When the man comes home from work, he's learned that Elsa has been attacked and that she had a flower in her grasp. We then see her interact with her neighbor gardener lady who gives her a smug look when Elsa strips down to a 2-piece to sunbathe. He says she'll be alright and off to work he goes. On the man's first day back to work, Elsa begs and pleads for him to stay with her. There's a couple who just relocated from wherever to a trailer park due to the woman, Elsa, having some kind of mental breakdown. Since there are 39 episodes, I'll divide this into a four-parter with ten episodes in the first three and the final nine episodes in the fourth and final blog. After all, each episode is designed to have a plot twist. I'm going to post quick summaries and reviews here for anyone interested in "watching with me". I recently stumbled upon AHP on Netflix, or at least just Season 1 of it, consisting of a whopping 39 episodes. 7/10.When I was a little kid, my family had a Saturday Night family time ritual: We'd get Little Caesar's pizza and watch Morgus the Magnificent, Tales from the Darkside, and Alfred Hitchcock Presents. The ending could have had more time to develop but doesn't feel too much like a cop out or anaemic, it certainly surprised me. The script is intelligent and not rambling or overwrought, while there are enough moments that are suspenseful and emotionally investable. The production values are solid enough and the main theme fits like a glove. Hitchcock is suitably dry-humoured, likewise with his lines. Daugherty directs asssuredly and provides a nice unsettling atmosphere in primarily the first half. George Grizzard has some nice sympathetic support with her and Phillip Langton is easy to hate. With all that being said, Thaxter is truly excellent and is both chilling and moving as a rootable character. The psychological aspect is intriguing initially but is too under the surface and not skin deep enough, it's complex stuff that is under-developed and could have done with more clarity. Also thought it could have done a lot more with the subject, it starts off very promisingly and unsettlingly but then feels rushed and suffers from the shortness of the length. This way, it felt too short and too hasty. It is an episode that would have benefitted from a much longer length, a lot happens and there is a lot of complex psychology attempted but it did ideally need to be feature length to do it justice. For all its faults though, "Fog Closing In" does have more than enough to make it worth recommending. It is also not on par with Daugherty's previous outings. "Fog Closing In" is not great and is far from perfect, with it being a case of the lead performance being better than the episode itself. Luckily it most certainly was and it would definitely take a lot for anybody here to be as awful as Tita Purdom was in that. The premise did sound unnerving and was really hoping that it would a lot better than the disappointing previous outing. It is also the second episode that sees Phyllis Thaxter in the lead role, the other being the very good "Never Again", which she is excellent in. The other two being "The Belfry", very good and underrated, and "The Creeper", which was one of the standout episodes of Season 1. "Fog Closing In" is the third entry of 'Alfred Hitchcock Presents' directed by Herschel Daugherty.
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